The prolific Joe Bonamassa returns with one more live album but this time blues lovers can buy with complete confidence together Joe concentrates on two giants the the blues, Muddy Waters and Howling Wolf. A mainly band was assembled for this concert: Joe top top guitar and vocals, Kirk Fletcher on second guitar, Mike Henderson top top harp, Reese Wynans on keys, Anton Fig top top drums and Michael Rhodes on bass plus a three male horn section of Lee Thornburg top top trumpet, plunder Dziubla ~ above sax and Nick lane on trombone.

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The music is obtainable on vinyl, CD, DVD and Blu-Ray; this evaluation is based upon the DVD version. The opening ar is committed to Muddy and also opens v Joe’s spoken intro about the Delta and also the affect that the at an early stage blues pioneers had on the music us love before Muddy self speaks the his at an early stage experiences. Us then gain a snatch of Muddy playing “Tiger In her Tank” in ~ the Newport Jazz Festival before Joe’s band takes over v a real ‘oomph’ of power, everyone playing superbly. The tape is ‘suited and booted’ in white suits and panama hats, Joe pull on in black and the stage, collection into the red rocks the Colorado, makes for a spectacular setting.

“Can’t it is in Satisfied” is a much-covered Muddy tune and the band provides us a yes, really spirited uptempo version with Joe playing part fine slide and Mike’s harp come the fore. Some much less visited Muddy songs choose “My home Is top top The Delta” and “Real Love” appear but every song is brilliantly handled. Listen to “You Shook Me” which ranges from the intro the Mike’s Chicago harp and also Reese’s two-fisted piano to Joe’s solid vocal and exciting etc solo, the horns giving depth come make an exceptional version. “Stuff you Gotta Watch” is a DVD only track and also pounds along with solos because that Reese’s piano, Mike’s harp and Kirk’s Strat, the horn section offering some enthusiastic backing vocals.

The one quite odd choice is “Double Trouble” – not the Otis rush song but the one written and also recorded through Lynyrd Skynyrd! Not certain why this was preferred for the Muddy set, yet as a classic slow blues that fits in really well. A version of “All Aboard” i m sorry blends in “Mean Old Frisco” close the door the Muddy section of the show: Mike’s harp set the scene with some steam train sounds before the razor sharp rhythm ar sets a frantic speed which energises everyone, Joe’s solo gift a tour de force.

The 2nd segment of the present follows a comparable pattern through Howling Wolf’s voice speaking of what the blues is all about before he is heard on “How Many much more Years”, the band joining in ~ the very first verse v Reese playing a well piano solo. As for the Muddy set Joe handpicks tunes from Wolf’s catalogue, starting with a rousing run with “Shake for Me” on which the two Michaels play some an excellent bass and also harp and Kirk and Joe both play solos on which your fingers space a blur. A quick-fire version of “Hidden Charms” finds Joe riffing difficult over some fine piano native Reese and also bouncing bass from Michael.

Joe introduce the band before the acquainted strains the “Spoonful” open a run of Wolf’s finest known tunes; “Killing Floor” races together with the horns propelling the tune and also Reese again certification on piano before Joe takes one more jaw-dropping solo; “Evil” opens with a 2nd snatch that Wolf approach as he defines that when you’ve acquired the blues you’ll be thinking evil thoughts around someone before the tape creates a suitable moody vibe for the song! The collection closes v some good playing top top a rollicking “All Night Boogie”, Reese playing part striking piano after ~ Mike’s harp intro. The horns add some push and pull to the tune and Kirk offers us a good solo, reminding united state that Joe is no the only great guitarist on show.

As one encore the band offers us a mini JB greatest hits show. The Les Paul is back and Michael switches to a Fender base as Joe gives us a quick tease the Hendrix’s “Hey infant (New rising Sun)”, reprised native Joe’s critical studio album “Different Shades that Blue”, as space “Oh Beautiful!” and “Love Ain’t A Love Song” on which the horns include some funk. Delving right into his back catalogue Joe then provides us prolonged versions of “Sloe Gin” and “The Ballad Of man Henry”, the former majestic in that is balladry, the last all power chords and heavy riffing.

For the technically minded Joe dram Les Pauls on every the Muddy monitor apart from the opened “Tiger In your Tank” where he supplies a Telecaster; in the Wolf display he plays a Stratocaster ~ above the opening tracks prior to switching to a Gibson 335; in the JB segment he provides the Les Paul and the Strat.

A second DVD has 4 elements:

an hour long documentary v Joe and also producer Kevin Shirley visiting Mississippi, consisting of a visit come the Delta Blues Museum in Clarksdale a twenty minute watch behind the scene at the Red Rocks show, including interviews with several of the musicians. Lee Thornburg’s insights into the horn arrangements are an especially interesting. Seven minute of archive footage of Muddy and Wolf, some of which is supplied in the yes, really DVD a gallery of quiet photos indigenous the rehearsals and show, presented over a well bonus version of “Who’s to be Talking” i m sorry did not make the DVD.

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Recorded in former of 9000 pan (the largest audience JB has ever before played to), “Red Rocks” is a fine testimony to Joe’s capacity as a blues player and also a an excellent addition come his widening discography.